CULPA


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AcronymDefinition
CULPAColumbia Underground Listing of Professor Ability (Columbia Univesity, New York)
References in periodicals archive ?
This book really needed to be written, since Kierkegaard's position on felix culpa is often difficult to discern.
Therefore, I understandably was attracted to your editor's letter in the November 2004 issue ("Mea Culpa," p.
In 2004, we witnessed the ascension to Palme d'Or lore of Fahrenheit 9/11, a noisy and welcome cinematic mea culpa about America and its foreign policy by the pre-eminent American shit-disturber, loudmouth or vulgar populist (take your pick), Michael Moore.
Richard Clarke's mea culpa to the nation and the families of 9/11 confused many people.
In this day and age of "doormat" Christianity, when populace, prelates, popes, presidents and prime ministers take it on themselves to apologize for certain unchangeable facts of history, it requires more courage to say an honest "No" than to say "Mea culpa.
She pleads mea culpa and returns all the money that the team had earned, forfeits all the games they had won, takes down all the banners in the gym, and, if memory serves us, puts the current team on probation.
An environmentalist mea culpa would be a start, but in the United States; at least, nothing short of congressional hearings or an executive order from the Bush administration is likely to spur USAID to change its ways.
When state trustees reacted angrily to top-down mandates, he issued a mea culpa and slowed plans enough to patch relations.
The mea culpa from Val Stone, an assistant court administrator in Snohomish County, Washington, after she found that a recorded phone message mistakenly told 160 prospective jurors to report for duty at 5 a.
God's metamorphosis from lion to lamb subjects him to the very injustice he has laid on his creatures -- a development which must merit a felix culpa for Judas and all the others responsible, though Miles does not offer it.
For their part, Catherine Belsey ("Love in Venice," 1992), Phyllis Rackin (on the engendering of Shakespeare's audiences, 1993), Gabriele Bernhard Jackson (on Shakespeare's Joan of Arc, 1988) assiduously attend to multiple uncertainties and indeterminacies in the historical/ideological conditions governing the production of gender identities; Ann Thompson (on reading The Tempest, 1991), and Carol Thomas Neely (in her essay on Othello prepared for this volume), both by way of mea culpa, situate questions of gender and sexual difference within the broader discourse of European imperialism.
Nevertheless, mea culpa, I am some months late in delivering this review to the Journal essentially because of my ingrained habit of using my evening and weekend time at home for such tasks as reading the works which I am reviewing.