Chaplin's biographer, David Robinson, has explained that Essanay
had extended Chaplin's film by adding extra footage.
Just two of the many releases coming out this year celebrating the life of one of cinema's greatest showmen, these lovingly restored films chronicle a time when Chaplin moved away from the Keystone cops and into a contract with Essanay
which allowed him unprecedented control over everything from writing to directing.
lt;IR> CHARLIE CHAPLIN </IR> first developed the character of the little tramp for Sennett, taking the character with him to Essanay
in 1915 and then to Mutual in 1916, where he made a number of remarkable shorts during the next two years, including The Rink and Easy Street.
1915 "Charlie Chaplin In Essanay
Comedies" Stamp Set
ONE hundred years ago Charlie Chaplin's film "The Tramp" was released by Essanay
Broncho Billy Anderson's Essanay
studio in the East Bay was Charlie Chaplin's base for a while in the 1910s.
Niles's brush with movie fame came when the Essanay
Film Manufacturing Company opened in 1913, just as Hollywood was getting started.
In addition to Griffith's Edgar Allen Poe (1909), this group includes The Raven (American Eclair Company, 1912), The Avenging Conscience (Mutual, 1914; also by Griffith), and another film entitled The Raven, this one produced by the Essanay Company of Chicago in 1915.
This view of Poe as brilliant victim is seen clearly in the first drama about Poe, George Cochrane Hazleton's The Raven, which opened in Baltimore in 1895--and which would provide the basis for the Essanay Company's 1915 silent film of the same name.
Schickel's lucid narration, spoken by Sydney Pollack, follows Chaplin's career at Sennett, Essanay
, Mutual and First National, his increasing fame and earning power and his elevation into the world's first superstar.
solely to produce the Chaplin films, and Chaplin was given his own exclusive studio, the Lone Star Studio, formerly the Climax Studio, where he set up his own regular unit, most of them drawn from people who had worked with him at Keystone and Essanay
When Chaplin left Keystone to work with more creative latitude for the Essanay
and Mutual companies from 1915 to 1917, he began to add layers of nuance to the Tramp.