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RAGARepublican Attorneys General Association
RAGARoots of Appalachia Growers Association (Trimble, OH)
RAGARichmond Art Gallery Association (Canada)
References in periodicals archive ?
Formed in 2006, the name Raga Boyz was coined by none other than Ustad Hamid Ali Khan, their father.
The three, accompanied by several others, perform two ragas at a live performance at the Royal Festival Hall in 2002.
Every musician brings to her rendition of a raga a uniqueness that is at once the function of the nature of raga-music and the musician's personal understanding of a raga.
Many of the raga iconographies are unusual, and in some cases the conventional identifications have been followed here in preference to those given in the inscriptions on the paintings.
Thus, it seems that in order to cope with such a saddened situation, he had used his literary ability by expressing his grief through this raga poem.
Through interviews with both Indian and Western musicians influenced by them, as well as discussions of their music and experiences, the author covers raga, rhythm, Indo-Jazz, and Indian music's influence on classical and pop music in the West.
The rich language and imagery of the poems in this volume arrest one's attention with captivating titles like "Morning Raga," "Guerrilla Girls," "Skunk Insulation," "Journey of 1,000 Li," and "Dirge for Amadou Diallo.
When Oregon Bach Festival PR man George Evano was driving Ana Maria Raga, a musician from Venezuela, around town during the recent festival, she asked if she might do a little shopping.
The documents also make clear that RAGA assigned attorneys general to make calls to companies with business and legal interests in their own states.
The past envelops the lives of Raga speakers, and like the grand tusks that are grown on boars it is shaped into a spiralling future.
Raga of the National Autonomous University of Mexico in Mexico City and others in setting up a monitoring station in the southwest flank of the basin, 440 meters above the city.
Lewis Rowell's Music and Musical Thought in Early India (1992)(1) was the first comprehensive analysis of the philosophy and aesthetics of Indian music up to the thirteenth century; now Richard Widdess' magnificent and painstaking study provides us with details of the emergence and metamorphosis of the raga system, and offers transcriptions of musical ideas that, as the era progresses, seem increasingly to have a connection with and relevance to the raga system in use today.