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VOWRVoice of Wesley Radio (Newfoundland radio station)
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It took only a short time for my assumption that VOWR (a station with little advertising and no commercial jingles) would have a financial story of woe, to be entirely refuted.
By using this multi-media approach, VOWR is able to advertise the auction while giving credit to its sponsors in a creative and reciprocal manner.
Significantly, VOWR also benefits from individual donations and corporate sponsorships.
VOWR is selective in the corporate sponsorships it will accept; it will not air pre-recorded advertisements deemed by management not to be in keeping with the station mandate.
Hence the philosophy, character, and financing of VOWR do not conflict with one another, making viable the maintenance of continuity between them.
Despite its geographic distance from VOWR, Dorgan's Airwaves of Zion provides a useful starting point in examining the station's religious programming.
Airwaves of Zion might be usefully compared with VOWR.
I would argue, however, that while VOWR exhibits many of these surface features, its program variety is not the result of program improvisation, nor the fragmented conjoining of individual groups; instead it reflects a living radio organism.
VOWR is not rigidly tied to the United Church, however.
While VOWR and VOAR still have a large minority of the St.
There is ample evidence that a well-defined moral code governs decisions about what to play at VOWR.
This example illustrates not only changes to the parameters of music deemed acceptable by the station (one would not be surprised to hear the foxtrot on VOWR today), but also the unilateral control held by Joyce in the station's early years.