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References in periodicals archive ?
For "Ah rammenta, o belle Irene" by Johann Christian Bach (1735-1782), Professor Sellheim reverts to the fortepiano, and one welcomes the touch of authenticity as well as the singers' impressive agility.
California) presents two published, closely related 19th-century German fortepiano manuals, and a related unpublished workshop notebook from approximately 1778-1821.
Apollo's Fire Baroque Orchestra, with John Gibbons, fortepiano.
In association with The Chelsea Festival and performed on an historic Fortepiano, pianist David Owen Norris and singer/broadcaster Catherine Bott present a musical tribute to the great Lord Nelson 200 years after the Battle of Trafalgar.
No first prize for the fortepiano was awarded, but second prize was shared between Elena Privano-Karl (Germany) and Soo-Hyun Park (North Korea).
From FINLANDIA RECORDS we have our final set of sonatas in an impressive three-disc package of Beethoven's Complete Works for Cello and Fortepiano (0630-17698-2) with Anssi Karttunen (cello) and Tuija Hakkila (piano).
Eva Badura-Skoda has long been concerned with the development of keyboard instruments, and in 'The Viennese Fortepiano in Eighteenth-Century Austria', in the book's final section, she describes the evolution of the fortepiano, which she suggests was already known in Vienna by the 1730s.
Silk and muslin brush my hands like moths passing by, the dancers go up and down the room, no one has learned the Valse as yet, fiddle and flute and fortepiano return to the older rhythms.
Almost irresistibly music history pulled them forward, from the harpsichord to the fortepiano, from Handel to Mozart, Haydn and Beethoven, who were thus reborn not as past masters but as innovators and expanders of musical possibility.
Booth's boxwood clarinet oozed milky balm, Oliver Wilson's viola was throatily pungent (how moving to consider Mozart probably wrote the part for himself), and Irving's fortepiano drew us in immediately with its intimate, inward-looking tones.
Listen, for example, to the recitative to Karina Gauvin's exemplary "Mi tradi," its shifts of mood enhanced by the ample decoration; listen, too, to the pointedly active fortepiano throughout.
the recital will have Linck introducing a replica of a guitar by Johann Georg Staufer from the 19th century which has a very similar sound to a fortepiano of the period.