DAICIDiccionario de Acronimos en Ingenieria, Comunicaciones e Informatica
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References in periodicals archive ?
Kurosawa's Rashomon (Daici, 1950) features a number of shifts in perspective, but is not anamorphic in the sense that I mean here--the shifts are incompatible with each other (that is, the viewer learns a series of contradictory accounts, rather than a new perspective "hidden" within the old one), but like the typical anamorphic shift, it uses its changes in perspective to make the final perspective dominant.
Zhishi daici de erfenfa he sanfenfa [Binary and ternary distinctions of demonstrative pronouns].