Ultimately, the subject of 'September 11" might be curatorial subjectivity; "what we read into images," Elcey acknowledges, is "itself a thematic undercurrent of the exhibition at large." The show sets up a screen for associations, almost in an updating of the "paranoid-critical" method of Dalf
, an art-historical version of "If you see something, say something*" Eleey is no doubt alert to the "ethical difficulty" here, the problem of "trapping" the art in such projections, and his curatorial voluntarism is sometimes bracing.
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Adams Sitney would later designate the "trance film," the dominant mode of early-'60s underground film, as well as other surrealist gems, including the sequences Salvador Dalf
made for Hitchcock's Spellbound (1945), and similar avant-garde interfaces with the film industry.