ISOERIn Search of Excellent Requirements
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Considering the less familiar language, we can conclude that Ibsen concentrated more on the visual features of performance here, and, as Rudler states that "de nye ralistiske tendenser innen tysk scenekunst og kravenedet stilte til regiarbeidet market han isoer" (243) [he especially noticed the new realistic tendencies in German stagecraft, and the demands that put upon directorial work].