See Wasserman, Shelley: A Critical Study (Baltimore: Johns Hopkins University Press, 1971); Hall, "Power and Poet: Religious Mythmaking in Shelley's 'Hymn to Intellectual Beauty,'" Keats-Shelley Journal
32 (1983): 123-49; and Cronin, Shelley's Poetic Thoughts (London: Macmillan, 1981), 224-30, on the relation between Shelley's hymn and the Christian hymn.
Steele 1956: 69-80--The authorship of The Poet and other sonnets: selections from a 19th century manuscript anthology, Keats-Shelley Journal
8) Stuart Peterfreund attempts to demonstrate that Shakespeare does this in Sonnet 101, in which is "truth in beauty dy'd" and there is "beauty's truth" ("The Truth about 'Beauty' and 'Truth': Keats's 'Ode on a Grecian Urn,' Milton, Shakespeare, and the Urn of Paradox," Keats-Shelley Journal
35 : 62-82) 74.
This topic has also been addressed in Keats-Shelley Journal
(2006), which includes a special forum on Regency women writers.
2) For a full discussion of the political contexts of Keats' first publications in light of Hunt's "Young Poets" article, see John Kandl, "Private Lyrics m the Public Sphere: Leigh Hunt's Examiner and the Construction of a Public "John Keats," Keats-Shelley Journal
Schmidt, "Silence and Celebration: Pastoral Dialogism in Keats's `Ode on a Grecian Urn,'" Keats-Shelley Journal
44 (1995): 66-83, 71, where who says what and to whom remains unresolved.
Pottle, "The Meaning of Shelley's |Glirastes,'" Keats-Shelley Journal
7 (1958): 6-7.
4 (2011): 167-72; and Parkinson's disease: Adam Burkey, "Parkinson's Shaking Palsy: The 'Aspen-Malady' of John Keats," Keats-Shelley Journal
57 (2008): 128--37.
Steele 1956: 69-80: The authorship of The Poet and other sonnets: Selections from a 19th century manuscript anthology, Keats-Shelley Journal
21) Philip Fisher, "A Museum with One Work Inside: Keats and the Finality of Art," Keats-Shelley Journal
33 (1984): 88.
Holstein's "Keats: The Poet-Healer and the Problem of Pain" in The Keats-Shelley Journal
36 (1987): 32-49.
21) Philip Fisher, "A Museum with One Work Inside: Keats and the Finality of Art,' Keats-Shelley Journal
33 (1984): 88.