LDJINLong Days Journey Into Night (Eugene O'Neill play)
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Brenda Murphy's performance history of LDJIN points out that some actresses and directors have attempted to develop this highlighting of Mary's deep chronic destructiveness.
Murphy also argues in American Realism and American Drama, 1880-1940 that LDJIN does not have a"conventional and artificial single climax" but rather two peaks, one at the end of both acts 3 and 4.