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LAOCOONLeast-Squares Adjustment Of Calculated On Observed NMR Spectra
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Laocoon senses treachery and counsels the Trojans either to investigate what is inside the horse or to burn it.
Theories of description and its role have a long history, in which Gotthold Ephraim Lessing's book Laocoon: An Essay on the Limits of Painting and Poetry plays an important part.
The remaining pieces in the room had a greater amount of unglazed clay surface but an even greater variety of configurations than the five-in-a-row, including standing forms, the possibly rocking inverted arch, sometimes cradling other extrusions within its cupped contour, or snake-like tangles that might remind a viewer of Laocoon, or various leglike assemblies, some of them open and strikingly embracing space.
The statue turned out to be an ancient Roman depiction of the horrifying death of the mythical Trojan priest Laocoon and his two sons, and on the advice of his art advisers, Pope Julius II immediately purchased it and set it up for display within the Vatican.
GREEK SCULPTORS FIRST BEGAN showing emotion in the Hellenistic Period (323-31 B.C.)--best expressed in The Laocoon Group--to convey human suffering, or pathos.
Lessing's distinction between the spatial and the temporal arts in Laocoon and the modern literary criticism on the issue, temporal movement captured in Marcel Duchamp's painting and X.J.
In his Laocoon, 18th-century writer Gotthold Lessing dictated that poetry represents time in its narratives while the visual arts can show only space.
They range from the Pantheon and Raphael's tomb to the Cortile Belvedere, inhabited by the iconic Apollo Belvedere and Laocoon, the majestic Stanza della Segnatura, Raphael's fresco of Isaiah in Sant'Agostino (which in modern times has overshadowed the sculpture by Andrea Sansovino of Mary, St.
We prefer to be in homogenous groups and we punish dissenters and people who criticize or ask unpleasant questions and since we do not like to hear bad news we continue to practice "the kill the messenger" strategy that was visited on Laocoon by Poseidon in the ancient Greek myths.
Laocoon and His Sons, a life-size bronze cast of a marble original held in the Vatican, had to be moved from Houghton Hall for the very first time since it was brought to Lord Cholmondeley's Norfolk estate 400 years ago by Britain's first Prime Minister, Sir Robert Walpole.
Lessing's ideas in Laocoon: Or, The limits of Poetry and Painting (8) are well known because of the influence (9) to scientific and conceptual point of view regarding the question of the word-image intermediality (Mitchell 1986: 96).
Even Tolkien's image of "serpents" echoes The Aeneid, for Virgil also gives us serpents: the Trojan priest Laocoon and his sons are killed by great serpents ardentisque oculos suffecti sanguine et igni / sibila lambebant linguis uibrantibus ora ("[with] burning eyes, fiery and suffused with blood, / Their tongues a-flicker out of hissing maws").