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While fathering styles are often described as fixed, in reality they are varied, fluid, multiply determined, and dynamic at both cultural and individual levels (Horna & Lupri, 1987; Palkovitz, 1997).
[3] Two studies have focused on religion and violence against women (Beaman-Hall & Nason Clark, 1997; Brinkerhoff, Grandin & Lupri, 1992).
101-124; Merlin Brinkerhoff and Eugene Lupri, "Interspousal Violence," Canadian Journal of Sociology no.
It is therefore not one which can be adequately studied using what (Horna, Lupri and Mills, 1984, p195) refer to as "one-time, one-year, cross-sectional studies".
(3) See Blood and Wolf (1960); Foss and Straus (1977); Straus and Winkelman (1969); Conklin (1981); Fox (1973); Kolenda (1967); Lupri (1969); Mukhtar (1985), Oppang (1970); Rodman (1967) and Safilios-Rotschild (1969).
Men who experience violence and abuse in relationships report emotional harm to themselves (Hines & Malley-Morrison, 2001) and are affected in the same ways as victimised women are (Bates, 1981; Grandin, Lupri, & Brinkerhoff, 1997; Gregorash, 1993; Hammond-Saslow, 1995; Migliacco, 2002).
Mathias Lupri, who plays vibes, composed all of the music on Transition Sonic, and assembled quite a supporting cast: Mark Turner on tenor and soprano saxophone, Cuong Vu on trumpet, Nate Radley on guitar, Thomas Kneeland on bass, and Jordan Person on drums.