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Related to NABIS: Nabisco
NABISNorthern Alberta Brain Injury Society
NABISNational Aquatic Biodiversity Information System
NABISNational Acute Brain Injury Study (neurology)
NABISNorth America Brain Injury Society
NABISNigerian Association for Biblical Studies (Department of Religious Studies; University of Ibadan; Ibadan, Nigeria)
References in periodicals archive ?
In what was a deep part of the avant-garde and scientific exploration of the period, many, including the Nabis, questioned the program in which three-dimensional space was depicted as a codified projectionthe rules of perspectiveon a flat canvas.
The interaction of the Nabis with other major movements of the era, including Symbolism and Art Nouveau--and Catholicism in the case of Denis--are among the themes.
15; for a more objective and positive appreciation of, for example, Dionysius I and Nabis, see Caven 1990 and Cartledge & Spawforth 1989:67-77.
The Nabis were also considered "decorative" painters, a label that stuck to Bonnard throughout his career.
Although he was unable to go to Europe, his painting takes on as its own a delicate modernity that at times approaches the painting of the Nabis at the end of the 19th century.
I wish I could say that we were all Nabis wearing mystic costumes, but we're not that, not at all," he says.
Early in his career, he commissioned albums of colored lithographs--displayed at the beginning of the show--from Bonnard, Vuillard, and their fellow Nabis, eager to see how they would respond to what was then a relatively new medium for fine--as opposed to commercial--art.
The connections with the Nabis, the School of Pont-Aven, and Henri Rousseau are well known, but this book pursues them at a pictorial as well as textual level in a most productive manner, and the author also continues her previous quest for Beardsley's 'lost portrait' of Jarry and/or his creation Dr Faustroll.
For example, I would have liked a stronger argument for the connections between Cassatt's project and the work of the Nabis, a group of artists centered in Paris during the late 1880s and 1890s.
Unde dicit Augustinus, in libro De vera religione: demonstravit nabis Deus quam excelsum locum inter creaturas habeat humana natura, in hoc quod hominibus in vero homine apparuit.
Herakles and his symbols would henceforth become a fixture of Spartan coinage until the reign of Nabis at the turn of the 2nd century B.
Although a well-know figure, primarily through his work with the Nabis in the late nineteenth century, the catalogue stresses that Vuillard created until the mid-twentieth century and left an enormous variety of work: intimate interiors and large decorative panels, portraits and landscapes, drawings and prints, photographs and stage sets.