Sur Moomal Rano is Semi-historical folk story of Sindh.
In Sindh Moomal Rano introduce in the Era of Soomro 1300 century.
In the first fourth part of whole round Sur Moomal Rano and Sur Hussaini's 6 to 8 Bait.
Contemporary trend for Eid day , after pray of Eid three Sur sing Sur Bilawal, Sur Moomal Rano and Sur Hussaini only.
After the death of Shah Abdul Latif Bhitai , on 14,15 and 16 of Islamic month safar, when the celebration of Shah Abdul Latif 's Urs celebrating, in the mehfil-e-sama on 14th safar ,Sur Bilawal SurMoomal Rano and Sur Hussaini , on 16th safar , Sur Poorab , Sur Kamod, Sur Karayal and Sur Hussaini sings by Fakir those Fakir those who are experts (Qanasro, Manzoor).
Nabi Bakhsh Khan Baloch is the leading Scholar and researcher and he is auther of many book subject to Sindh and its history, In the book about history of Sindhi music and writes about the Sur Moomal Rano, special reference to semi-histrocal story and it era.
The story of Moomal Rano appeared on the scene approximately in (1310-1330) in the 1400 century and it was publicly introduced.
because Shah Abdul Latif Bhitai learned music and became expert so he named some at stories as Sur Maruee, Sur Leela Chanesar, Sur Sohni Mehar, Sur Sorath Rai Deyach , Sur Sassui Punhoon, Sur Noori Jam Tamachi and Sur Moomal Rano.(Aesrani 1997 p 10)
We pay great homage to and honor our great mystic poet Shah Abdul Latif Bhitai, who imotalized Sur Moomal Rano. Before the arrival of Shah Abdul Latif Bhitai, Sur Moomal Rano was away from human horion.
As our topic of discussion is Sur Rano, to make it easy and understandable, we must be well aware about the story of Moomal Rano.
Hazrat Shah Abdul Latif Bhitai composed the famous folk story of Moomal Rano as a love-epic in Sur Rano.
They all tried to win the hand of Moomal but their attempts did not bring fruit except Rano Mahendro.