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RETCONRetroactive Continuity
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Witty oneA[degrees]liners, great explosive action sequences, a tale of 'good old fashA[degrees] ioned revenge', a nearly indestrucA[degrees] tible super villain and a serious aficionado dismaying retcon await; and it all begins with a story, much like the intro to Kiss Kiss Bang Bang.
As Richard Reynolds points out, such retcon strategies, (2) common to superhero comics, tend to "divorce the superheroes' lives from their historical context" (1992, 44).
Any kind of retcon is a risky move, since it might turn off fans who had invested themselves in the way things were.