SPRACHSpeech Recognition Algorithms for Connectionist Hybrids
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I have only sketched the path of Also sprach Zarathustra from Kubrick's film forward; another scholar might work backward from the film, into the history of its original score, written by Kubrick collaborator Alex North, but then abandoned by the director in favor of work by established classical composers (LoBrutto 308).
The best example was the opening number - the prologue from Strauss's Also sprach Zarathustra, which is now universally known as the theme to 2001- A Space Odyssey.
The challenging programme will also include Stokowski's Symphonic Synthesis of Wagner's Tristan und Isolde and Strauss' Also sprach Zarathustra.
QATAR Philharmonic Orchestra (QPO) performed yet another Richard Strauss' tone poem titled 'Also sprach Zarathustra' at Katara Opera House recently, along with a selection of lesser known composer Hagi Khan Mohammadov's lively concerto for oud and orchestra as well as Zoltan Kodaly's Hary Janos Suite.
Dialogue, in fact, is kept to a minimum (we wait a whole 24 minutes for the first banal sentence) - Kubrick instead using the likes of Johan Strauss's The Blue Danube and Sunrise from Richard Strauss's Also sprach Zarathustra to create the atmosphere - not that there is any in space.
In Also Sprach Arnold Jacobs [1], Bruce Nelson, retired trombonist of the Lyric Opera of Chicago, has compiled a wealth of ideas put forward by Jacobs, and in Chapter IV, he deals specifically with Jacobs's thoughts on breathing.
292; translations throughout this review are my own.) Busoni employed scholarly methods, consulting manuscripts and sketches: "In Weimar sprach ich Ihnen von einem Lisztschen Skizzenbuch in meinem Besitze." (In Weimar I spoke to you about a Liszt sketch book in my possession; vol.
(Cue up Also Sprach Zarathustra, the opening soundtrack from 2001: A Space Odyssey.) Hunched over a keyboard, staring at a humongous screen, a Medusa-like tangle of wires everywhere, we hesitantly reached for the mouse, nervously hit click, and the rest is history.
Thomas Graumann (Cambridge) sprach uber die <<Protokollierung, Aktenerstellung, Dokumentation und Berichterstattung am Beispiel des Konzils von Ephesus (431)>>, das die hypostatische Union der zwei Naturen in Christus und Maria als <<Theotokos>> (Gottesgebarerin) anerkannte.
The collection surveys the many angles CTI perfected: New York City underground disco staples (Esther Phillips' "What a Difference a Day Makes"), mystical oddities (Deodato's "Also Sprach Zarathustra (2001)"), deep-acid jammers (Freddie Hubbard's "Red Clay") and alternately manic and mellow Brazilian workouts (the collection has one disc devoted to mostly tasteful explorations of bossa and samba-infused songs).