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References in periodicals archive ?
"My dream job would be to do animatronics for films - it would be great to work for the Stan Winston studio, which did animatronics for films like Jurassic Park, Terminator and Avatar," he said.
Stan Winston Studio, California-based creators of special effects for such movies as "Jurassic Park," "Predator" and "Pearl Harbor," designed the animatronic duck, and actor/comedian Gilbert Gottfried provided the duck's voice-over.
A guided tour of the Stan Winston studio. Storyboard sequences for ILM's computer-generated dinosaurs and a documentary about digging up real dinosaurs in Montana.
The DVD extras include a 'Making Of' mini-movie, commentary and tour of the Stan Winston studio plus storyboards from the shoot.
Avatar would not have been possible, or at least not the same, had it not been for the work of Legacy Effects, a San Fernando, CA-based special effects company, formally known as Stan Winston Studio, that has been in business with James Cameron since the first Terminator movie.
"Stan Winston Studio creates these puppets," he said in a 1998 interview.
The flowing locks cascade magnificently on and around his face, courtesy of a superior job by the Stan Winston Studio. The thick pelt requires Downey to communicate only with his eyes and voice, which he does to a mesmerizing degree, making credible Diane's fascination and willingness to follow him over to the "dark side," where her talent lies.
Russell; supervising sound editor, Skip Lievsay; visual effects supervisor, Kevin Mack; special visual effects and animation, Sony Pictures Imageworks; animatronic and makeup effects, Stan Winston Studio; associate producer/assistant director, Katterli Frauenfelder; casting, Denise Chamian.
Camera (DeLuxe color), Dan Laustsen; editors, Steve Mirkovich, Tim Alverson; music, Brian Tyler; production designer, George Liddle; art director, Tom Nursey; costume designer, Anna Borghesi; sound (Dolby Digital/SDDS/DTS), John Schiefelbein; creature designed and created by Stan Winston Studio; assistant director, Jamie Crooks; casting, Lynne Ruthven, Maura Fay & Associates.
Price; special effects supervisor, Matt Sweeney; special visual effects and digital animation, Digital Domain, Industrial Light & Magic; special visual effects, Syd Dutton and Bill Taylor of Illusion Arts; visual effects and animation, Cinesite; Morlock makeup effects, Stan Winston Studio; special Uber-Morlock makeup, K.N.B.
Camera (Technicolor), Tak Fujimoto; editor, Andrew Mondshein; music, James Newton Howard; production designer, Larry Fulton; art director, Philip Messina; set decorator, Douglas Mowat; costume designer, Joanna Johnston; sound (SDDS/Dolby Digital/DTS), Allan Byer; sound designer/supervising sound editor, Michael Kirchberger; makeup effects, Stan Winston Studio; visual effects, Dream Quest Images; assistant director, John Rusk; second unit director, Mondshein; casting, Avy Kaufman.