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TRANCETechnical Research in Acoustic Neural Consciousness Enhancement
TRANCETNF-Related Activation-Induced Cytokine
References in classic literature ?
"May I ask, ma'am, if you have ever seen her in a state of trance with your own eyes?" he inquired.
"My sister and I both saw her in the trance, little more than a month since," Mrs.
United by a spiritual bond, undiscovered and unsuspected by us in the flesh, did we two, who had met as strangers on the fatal bridge, know each other again in the trance? You who have loved and lost--you whose one consolation it has been to believe in other worlds than this--can you turn from my questions in contempt?
"Yes, I see pockets," the man in the trance was saying.
He had a ball of string, and an instrument for making a hole in the wooden floor--I made a little play with that hole in the floor in my trance, by the way; with the lights left on below, it shone like a new shilling." Twyford suddenly bounded on his chair.
He observed that, to him, this trance looked more like a visitation of Satan than a proof of divine favour, and exhorted his friend to see that he hid no accursed thing within his soul.
"There are people who are certainly subject to trances," answered Gilbert.
Herbert Spiegel (a psychiatrist expert in hypnosis) points out that you have three different kinds of trance. There is spontaneous trance that happens when people find themselves in a critical situation.
Trance is a style of electronic dance music generally characterized by a tempo of around 140 beats per minute that incorporates thumping bass-lines, epic dance leads and a musical progressions that modulate up and down throughout a track.
The whimsical fantasy world of "Trance Warriors: The Siege of Scarn" is inhabited by many familiar figures, yet most of them are presented in a new light or with some unusual twists.
Reflecting on his fieldwork among the Malagasy speakers of Mayotte in the western Indian Ocean, Canadian anthropologist Michael Lambek questions why the West has such a "blind spot" when it comes to the human activity of trance. Immersed in his subject's trance practices, he questions why such a fundamental aspect of both the Malagasy culture, and many other cultures he has studied around the world, is absent from his own.
Deborah Kapchan traces the evolving tradition of Gnawa trance music from its Sub-Saharan African origins to its increasingly commercialized form worldwide in Traveling Spirit Masters: Moroccan Gnawa Trance Music in the Global Marketplace.