ISUMA

AcronymDefinition
ISUMAInternational Symposium on Uncertainty Modeling and Analysis
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References in periodicals archive ?
Isuma is best-known for the Kunuk-directed feature film Atanarjuat: The Fast Runner (2001), based on an Inuit legend, which won the Camera d'Or at Cannes and in 2015 was declared, in a poll of critics and film-makers, the greatest Canadian film of all time.
In your face ABC/Disney!" Film description from Isuma TV at http:// www.isuma.tv/en/sheepheadfilms.
"L'origine de la violence chez les jeunes." Isuma, automne, pp.
"The Formation of Social Capital." Isuma, 2(1), 2001, 34-40.
Igloolik Isuma, la productora de cine independiente gestionada por inuits mencionada en lineas anteriores, lleva anos distribuyendo su obra filmografica en su portal de internet, a traves del que ademas ofrece coberturas y emisiones en directo y acceso a un archivo audiovisual de piezas antiguas que recogen la tradicion y cultura inuit.
(2001), The place of social capital in understanding social and economic outcomes, ISUMA: Canadian Journal of Policy Research 2(10), 11-17
Part III of the book, "Transforming Technologies and Emerging Media Circuits," opens with a study by Doris Baltruschat on the co-production of the film The Journals of Knud Rasmussen, by Zacharias Kunuk and Norman Cohn, the second feature film by the Igloolik Isuma Productions.
PT Bosowa Isuma operates shrimp and milkfish ponds in Makassar, South Sulawesi for local markets.
2001 "The Place of Social Capital in Understanding Social and Economic Outcomes." ISUMA Canadian Journal of Policy Research 2,1: 11-17.
The screening was also simultaneously broadcast on isuma TV, a Web-based interactive media portal that showcases film and video by Inuit and Indigenous people from around the globe.
Huhndorf's second chapter (on Igloolik Isuma Productions) posits an interesting explanation for why Atanarjuat (The Fast Runner) has garnered international praise and box-office profits while Inuit director Zacharias Kunuk's second film, The Journals of Knud Rasmussen, has not had similar commercial success; she suggests that the more explicitly anti-colonial message of the second film has made it less appealing to non-Inuit audiences.